ISBN 978-973-567-652-0, 200 x 220 mm,168 pagini, Ediţie bilingvă: romană, engleză

Primele două ediţii ale albumului bucurandu-se de un deosebit succes, vă propunem lucrarea intr-un format mai mic, extrem de accesibil şi de atractiv. „Fenomenul Grigorescu” nu poate lipsi din bibliotecile noastre, aşa cum pictorul insuşi nu lipseşte din sufletul romanilor, cu peisajele sale scăldate in lumina liniştită a amurgului şi carele cu boi venind parcă din istoria ancestrală a neamului, cu portretele in care se reflectă atat de convingător atitudinea caldă a artistului faţă de model, cu icoanele ce slujesc şi astăzi drept imagini ale sacralităţii in unele biserici, cu „cronicile” din Războiul de Independenţă, conturate de penelul său, cu expresivitatea, prospeţimea, culoarea şi măiestria specifice artei grigoresciene.

Grigorescu

As the prior editions of this album were very successful, we would like to present it to you in a different format, an extremely accessible and attractive one. The ‘’Grigorescu phenomena’’ is a must in our bookcases, just as the painter himself is present in the hearts of Romanians with his landscapes bathed in the peaceful light of the sunset and his carts pulled by oxen that seem descended out of the ancient history of the people, with his portraits that reflect in the most convincing manner the warm attitude of the painter for his models, with his icons that are even today images of sacredness in some churches, with his ‘’memorials’’ from The War of Independence, settled into shape by his brush, with his specific expressivity, freshness and the colors and artistry specific for his art.

Grigorescu

Le succès des premières deux éditions de l’album nous permet de proposer le livre dans un nouvel format, petit, très accessible et attractif. « Le phénomène Grigorescu » ne peut manquer de nos bibliothèques, tout comme ni le peintre ne pourrait manquer de l’ame roumaine, avec ses paysages baignés dans la paisible lumière du crépuscule, avec les chars aux bœufs qui semblent descendre de l’histoire ancestrale du peuple, avec les portraits, si convaincants, qui reflètent l’attitude affectueuse de l’artiste envers le modèle, avec les icônes qui sont aujourd’hui encore les images de la sacralité en certaines églises, avec « les chroniques » de la Guerre pour l’Indépendance, figurées sous son pinceau, avec l’expressivité, la fraicheur, la couleur et la maitrise spécifiques à l’art grigorescien.